Passementerie ( , French pronunciation: Ã, [p? sm? ? tri] ) or passementarie is the art of making elaborate ornaments or circles (in French, lines ) of braided, gold or silver wires, embroidery , colored silk, or beads for clothes or furniture.
Styles of passementerie include fringes, fringes (applied, as opposed to integral), ornamental straps, gallons, pompons, roses, and gimps as another form. Tassels, pompons, and roses are ornaments dots , and others are linear ornaments .
Video Passementerie
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Passementerie working on white linen threads is the origin of coil lace, and Passement is the earliest French word for lace.
Today, passementerie is used in clothing, such as gold ties on military apparel uniforms, and for decorating couture outfits and wedding dresses. They are also used in furniture trimming, such as the Centripetal Spring Armchair in 1849 and some lampshades, curtains, fringes and tassels.
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History
In the West, tassels are originally a series of threads or ropes around the string suspending until the desired curvature is reached. Decades later, a changing wood mold, covered with a simple wrap or a more elaborate cover called "satinings", was used. This involves the intricate binding of the silk filament tape vertically around the mold by using an internal "binder" on the molding hole. Rumbai is basically an ornament, and at first the termination of the rope is relaxed to prevent unraveling with the knot. As time passes, various people develop this variation.
In the 16th century, Guild of Passementiers was created in France. In France, these art practitioners are called "graduates", and a seven-year apprenticeship is required to become a master in one of the subdivisions of the guild.
The Guild documenting the art of passementerie. Rumbai is the main expression, but it also includes fring (applied, as opposed to integral), ornamental straps, gallons, pompons, rosettes, and gimps as other forms. Tassels, pompons, and roses are ornaments dots ; the other is linear ornament. The construction is varied and coupled with extensive ornamentation. These constructions are each given an idiosyncratic term by their French practitioners.
France is widely exporting their artistic work, and at such low prices no other country develops a mature "decoration" industry. Tassels and related shapes change the style throughout the year, from small and casual Renaissance designs, through the medium size and quieter design of the Empire period, and the Victorian Era with the largest and most complex.
Passementerie with clothing has long been provided to the elite as a sign of social distinction among nobles, aristocracies, religions, and the military. Since the 18th century, use has become very obsolete with the simplification of clothing.
Historical design is regularly re-favored by Interior and Fashion Designers. The mid-20th century experienced a sharp decline in the production and outreach of these products. The last part of the 20th century has seen a resurgence of interest partly led by the designers of the film industry and costumier. European and American craftsmen specializing in handmade products are increasing in number.
References
Further reading
- Picken, Mary Brooks,
, Funk and Wagnalls, 1957. (ISBN edition 1973 ISBN: 0-308-10052-2, 1999 Dover republication ISBNÃ, 0-486- 40294- 0)
External links
- Passementerie page at "The Tailor's Art," Fashion Museum Institute of Technology.
Source of the article : Wikipedia
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